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Studio Methods
"Tierra Sajama" was a multi-disciplinary studio-seminar course offered in
the Spring of 2003 as a joint-venture between the University of Pennsylvania's
Department of Landscape Architecture and Regional Planning and Department
of Anthropology. (The course also included participants from the Department
of City and Regional Planning.) The course was organized as a series of
weekly plenary sessions, discussions, and critiques addressing the meaning
and protection of a cultural landscape in western Bolivia. As such, participants
were able to attend additional lectures, film screenings, and field trips
to the University's Museum of Archaeology and Anthropology to learn more
about Andean culture and history. The participants themselves were organized
like a small, professional office, with the students bearing responsibility
not only for generating plans and drawings, but also for directing the work,
setting meeting and production schedules, managing the class budget, and
interacting with clients.
At
the semester's start, students self-organized into five groups, each with
a distinct research focus. The Report Group explored archaeological, historical,
ethnographic, and natural history literature. The Science Group identified
the location of cultural features and developed hypotheses about the lines
in relation to cultural, topographic, and celestial features. The Mapping
Group created a Sajama-based Geographic Information System (GIS) - a computer
database of maps and pertinent information about the lines, local vegetation,
topography, built features, etc. The Planning Group analyzed site conditions
and studied examples of other nations' major parks and World Heritage sites
in order to create a mission statement as well as a series of goals and
objectives. The Pitch Group explored possibilities for presenting and marketing
the final proposals and documents using various print and electronic media.
A
number of challenges arose. The students struggled to identify suitable
scale for their inquiry, due in part to the relatively large area of distribution
of the Sajama lines. Technical difficulties also surfaced regarding the
construction of the GIS, much of which was done "from scratch." As GIS datasets
were generated (and refined), they were integrated into a series of planning
and design criteria. A hierarchy of zones emerged that suggested areas for
protection or special interaction. This process enabled the studio-seminar
participants to become closely acquainted with the landscape without ever
visiting it.
Ethical
questions about degrees of intervention and change permissible on the site
with respect to local culture also caused some heated discussions. Suggestions
ranged from leaving the land as is to adding large infrastructural devices.
These issues were considered within the context of a landscape that is considered
"sacred".
At
mid-term, the class presented its work to an audience of Landscape Architecture
and Anthropology faculty members. By this time, the studio-seminar had been
named Tierra Sajama to emphasize both the region and for easy recognition
in English and Spanish. While the presentation included a very thorough
analysis of the site, the group was not able to graphically convey the full
magnitude of the lines' coverage area to the audience.
During
the second part of the semester, a small study area was selected to include
Mt. Sajama and the regions directly to the south and southwest of it. The
participants reevaluated their goals and objectives and began to test specific
design interventions and planning strategies in the landscape with respect
to line conservation and tourism development. Further GIS work with the
lines revealed high density areas of radial centers, as well as preliminary
alignments with astronomical events, cultural features, and topographic
elements in the landscape - exciting early results that aided in design
and planning efforts.
An
analysis of climate and environmental conditions inspired some students
to create special natural-area-protection maps, and to design proposals
that would minimize human impact on the site. Others devised strategies
to increase the economic potential of the area and draw attention to Tierra
Sajama as a destination for visitors from around the world. The possibilities
for individual experience on or near the lines generated additional design
ideas.
The
studio was an academic exercise, which produced a new body of knowledge
about this site. Although the group did not produce a unified vision for
the future of Sajama, it was able to propose a number of recommendations
that represent the participants' understanding of this unique region and
the importance of preserving it. The University of Pennsylvania team sincerely
hopes that other scholars, planners, and designers will find this inquiry
of value, and that they will use it to protect and promote Tierra Sajama
as a sacred cultural landscape.
| introduction | context
| hypotheses | proposal
| process | resources
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